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Harry Benshoff | ||||||||||||
Faculty >Harry M. Benshoff |
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Dr. Benshoff’s research interests include topics in film genres, film history, film theory, and multiculturalism. He has published essays on Dark Shadows fan cultures, blaxploitation horror films, Hollywood LSD films, The Talented Mr. Ripley (1999), and Brokeback Mountain. He is the author of Monsters in the Closet: Homosexuality and the Horror Film (Manchester University Press, 1997). With Sean Griffin he co-authored America on Film: Representing Race, Class, Gender and Sexuality at the Movies (Blackwell Publishers, 2004), and Queer Images: A History of Gay and Lesbian Film in America (Rowman & Littlefield, 2006). He was also the co-editor of Queer Cinema: The Film Reader (Routledge, 2004). At UNT, Dr. Benshoff regularly teaches a wide array of film studies classes, including “Film and Television Analysis,” “African American Film,” “Lesbian, Gay, and Queer Film and Video,” and “Gender and Sexuality in the Horror Film.” Professor Benshoff also teaches a graduate seminar in qualitative media theory every year, and a rotating series of “Film Authors” classes on such noted directors as David Cronenberg, Federico Fellini, Ken Russell, and Robert Altman. |
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